South helps growing companies find, hire, and pay top Latin American talent. Build high-performing teams in 21 days or less.












Hire an art director from Latin America and put a full-time creative leader on your team who sets the visual direction for campaigns, manages designers, and keeps work on brand, all in your US time zone for roughly 56 percent less than a domestic hire. South places vetted art directors fluent in Adobe Creative Suite, brand systems, and campaign concepting, with placement in 2 to 4 weeks. You get senior creative leadership without an agency-scale salary.
An art director is a creative leader responsible for the visual style and look of a brand, campaign, or publication. They set the creative direction, guide designers and other creatives, make decisions about typography, imagery, color, and layout, and ensure every deliverable is on brand and on concept. They are the person accountable for whether the work looks right.
The role is a step above hands-on design and a step below the broad strategic ownership of a creative director. An art director still works in the craft, but their primary job is direction and quality control: developing the visual concept for a campaign, art-directing a photoshoot, reviewing a junior designer's layouts, and translating a creative brief into a coherent visual system. In a marketing agency, the art director owns the look of client work across formats. In an e-commerce or media company, they own the visual consistency of everything from product photography to ad creative to the brand's editorial style.
Art directors live in Adobe Creative Suite (Photoshop, Illustrator, InDesign) and increasingly Figma for digital and collaborative work. They direct photo and video shoots, build mood boards and style frames, develop brand guidelines, and concept campaigns from a single idea through to a full set of executions across channels. They understand typography deeply, know how to build a layout that guides the eye, and can articulate why one creative direction works and another falls flat. They also manage people, briefing designers, giving feedback, and protecting quality under deadline pressure.
What separates a strong art director from a senior designer with the title is conceptual range and leadership. A great art director can take a brief and generate several distinct creative directions, defend the strongest one with a clear rationale, and then guide a team to execute it consistently across a dozen deliverables without losing the thread. They balance creative ambition against brand constraints and client expectations, and they raise the quality of everyone around them. For an agency or e-commerce brand competing on creative, that leadership is what makes campaigns memorable instead of merely competent.
The clearest trigger is when creative quality is plateauing because no one owns the visual direction. If your designers are each producing competent work but the output lacks a coherent look, or campaigns feel disconnected and off brand, you need an art director to set and enforce a unified creative vision. A team of good designers without direction produces good pieces and weak campaigns.
The second trigger is volume and team growth. Once you have two or more designers and a steady stream of campaigns, someone needs to brief them, review their work, and maintain consistency. A founder, marketing lead, or creative director doing this off the side of their desk becomes the bottleneck. A dedicated art director frees senior leadership from day-to-day creative management while raising quality.
The third trigger is ambition. If you are competing on creative, whether as an agency pitching clients or an e-commerce brand differentiating on look and feel, you need someone whose job is to make the work distinctive, not just acceptable.
Who should not hire yet? A small business with occasional, simple design needs does not need a full-time art director; a graphic designer or marketing designer will serve better and cost less. And if you do not yet have any designers to direct, hiring an art director to also be your only hands-on designer can work but may be over-leveled for the actual workload. Hire an art director when creative direction, quality control, and team leadership are the real gaps.
Start with the portfolio, and judge it as a director's portfolio, not a designer's. You are looking for evidence of direction: campaigns with a clear concept executed consistently across multiple pieces, a distinctive point of view, and range across different briefs and brands. A portfolio that is just a collection of nice individual designs tells you the candidate can execute but may not be able to set direction for others.
Probe conceptual range directly. Give the candidate a simple brief and ask how they would approach it. A strong art director will generate two or three distinct directions and explain the trade-offs. A weaker one will jump straight to execution or offer a single safe idea. The ability to think in concepts, not just layouts, is the core of the role.
Test leadership, because directing is half the job. Ask how they give feedback to a designer whose work is not landing, or how they handle a client who wants to push the creative in a direction they think is wrong. Green flags include specific, constructive feedback approaches and the ability to advocate for strong work while respecting constraints. A candidate who only knows how to do the work themselves, and cannot articulate how they elevate others, is really a senior designer.
Watch these red flags: a portfolio with no campaign-level work, an inability to articulate why a creative direction works beyond "it looks good," and no experience reviewing or directing others. Also be cautious of candidates who cannot take feedback on their own work, since an art director who is defensive about their craft will struggle to lead a team. South screens for portfolio depth, conceptual range, craft, and leadership before any candidate reaches you.
Use these to find art directors who can lead, not just design:
The cost difference on a senior art director is substantial, and creative leadership translates well to remote and cross-border work. Here is the comparison:
The gap reflects local cost of living and currency, not creative ability. An art director in Buenos Aires, Mexico City, Bogota, or Sao Paulo earns a strong local salary that still lands well below US agency rates in dollar terms. South pays competitively within Latin America to attract directors with portfolios that would hold up at any US agency, so you are buying the same level of craft and leadership at a different geographic price point.
Factor in the full cost of a US creative hire and the gap grows. US art directors in competitive markets come with full benefits, sometimes bonus structures, and recruiter fees of 20 to 25 percent of first-year salary. South folds sourcing and vetting into a transparent monthly cost with no large upfront placement fee, so the all-in savings frequently exceed the headline 56 percent. For an agency managing margin on client work or an e-commerce brand investing in creative without a coastal-agency budget, that delta is what makes senior creative leadership affordable.
Creative work is collaborative and feedback-driven, which makes real-time overlap with your team essential, and Latin America provides it. An art director in Argentina, Mexico, Colombia, or Brazil works your business hours. They are in the creative review, on the shoot call, and giving designers feedback while the work is in progress, not responding to yesterday's files overnight. Art direction depends on tight feedback loops, and a synchronous workday is exactly what makes that possible, which a 12-hour time difference with Asia destroys.
Latin America has a deep and distinctive creative talent pool. The region produces world-class advertising and design work, with strong creative schools and a vibrant agency scene in cities like Buenos Aires, Mexico City, and Sao Paulo. Latin American creatives have a strong reputation in global advertising, and many have worked on international campaigns and absorbed the same tools, references, and standards as their US peers. English fluency among senior creatives is high, particularly the spoken fluency needed to present and direct.
Retention seals the case. South places full-time, dedicated art directors, not freelancers juggling multiple clients. Because these are real roles with strong local pay and genuine creative ownership, the directors you hire stay and develop deep familiarity with your brand, your standards, and your team. In creative work, that continuity means a director who can move fast because they already know what on brand means for you, rather than relearning it with every project. You build creative leadership, not rent it by the campaign.
South handles sourcing and vetting so your interview time goes only to art directors worth it. Every candidate is screened for portfolio depth (campaign-level art direction with a clear point of view), conceptual range, craft in Adobe Creative Suite and Figma, leadership and feedback ability, and the spoken English that presenting and directing require. You review a curated short list, interview your favorites, and decide. You manage the art director directly as a full-time member of your team and own the relationship entirely.
Placement typically takes 2 to 4 weeks from first call to working hire, fast enough to staff up before a campaign push or a new client win rather than scrambling after. Pricing is a transparent monthly cost with no large upfront placement fee, and because the director is dedicated full-time to you, there is no divided attention and no agency markup stacked on agency markup. They work your hours, in your time zone, inside your brand and your creative process.
If your creative output is plateauing without direction, your designers need someone to brief and elevate them, or you are competing on creative without a leader to own the look, a dedicated art director from Latin America is the highest-leverage creative hire available to you. Book a call with South to see vetted candidates and get an art director onto your team in weeks.
Through South, a full-time art director from Latin America costs around $4,000 per month, compared to roughly $9,000 per month for a comparable US hire. That is about 56 percent in savings, with no large upfront placement fee and no separate benefits or bonus load layered on top of the monthly cost.
Yes. Latin America has a world-class creative reputation, especially in advertising, with strong creative schools and major agency hubs in Buenos Aires, Mexico City, and Sao Paulo. South vets for portfolio depth and conceptual range, so the directors you interview have campaign-level work that would hold up at any US agency.
Yes. Art directors in Argentina, Mexico, Colombia, and Brazil work standard US business hours, so they are in your creative reviews, shoot calls, and feedback sessions in real time. This synchronous overlap is essential for the tight feedback loops art direction depends on, and it is a key reason to hire in Latin America over Asia.
Most placements take 2 to 4 weeks from your first call to a working hire. South maintains a pre-vetted pool of creative leaders, so you can review portfolios and interview quickly and add creative direction ahead of a campaign push or new client win rather than scrambling for it.
An art director owns the visual style and look, directing designers and executing campaign creative. A creative director owns broader creative strategy across visual and verbal, often managing art directors and copywriters. The art director is focused on the look; the creative director is focused on the whole creative vision.
Full-time and dedicated. South does not place freelancers juggling multiple clients. Your art director works exclusively for your team, learns your brand and standards, and builds the continuity that lets them move fast and keep work on brand. You own the relationship and manage the person directly.
Yes. Directing and elevating other designers is core to the role, and South screens specifically for leadership and feedback ability. Many art directors in our pool have managed designers and junior creatives, and because they work your hours, they can run reviews and give feedback to your team in real time.



The region has the perfect mix of everything you want in remote employees: English skills, shared time zones, hard-working, and depth of talent. They are already accustomed to working remotely for top US startups and Fortune 500 companies.
Absolutely! The US and Latin America have basically the same time zones. No Latin American city is more than two hours ahead of EST.
Every hire is sourced based on your exact needs. They will arrive ready to support your business right away. They can do basically any tasks done remotely, but we recommend starting them as support so your team has more bandwidth for high-value strategic tasks.
All types of roles - customer service, executive assistant, sales, accounting, email marketing, lead generation, content writers, operations, social media marketing, and more!
You can pay directly through us (most popular) or we can connect you with one of our payroll partners.
You don't have to deal with any American labor laws / taxes when hiring full-time remote contractors. They aren't US-based, so no visas or sponsorships to deal with either.
We recommend market pay which varies for each role. See our salary guide and success stories for some ideas.
Then, we have two different models:
Staffing (most popular) - We charge a small monthly fee for each employee's monthly salary to make the process hassle-free. The fee covers sourcing, recruiting, admin, payroll, compliance, ongoing support, and a free replacement if necessary at any point. There are no cancellation fees or minimum commitments. You only pay if you make a hire.
Headhunting - A one-time simple fee once we've found the perfect candidate. This comes with a 120-day replacement guarantee.
For both options, you only pay something if we find you someone great that you want to hire.
Yes, we only recruit for full-time and we strongly recommend full-time hiring if you can. Stability (full-time & long-term) is highly sought after abroad. The top caliber candidates are only looking for full-time work.
You're also going to spend time training and getting them up to speed on your processes. It would be a waste to do that over and over again with new people all the time.
We recommend training new hires on one thing at a time.
For example, once they get up to speed on lead generation, you can add the next role writing blog posts or whatever you'd like. You can definitely overlap roles until you have enough work for multiple people.
The cost of living is much less in Latin American countries. Many of our employees are able to own homes, raise families, provide for their parents, and have in-home help of their own with their salaries.
If you aren't happy with your hire in the first 120 days, we will work with you to conduct a second round of search for the same role for free.
Just email us at Hello@HireInSouth.com and we will get back to you with an answer as soon as possible.